Tag:the craft
Years ago, I took my battered Land Rover Defender (that’s Jessie in the picture above) to the Racetrack Playa in Death Valley. I’m sure you’ve seen photographs of the playa: rocks sitting on parched earth and cracked mud, long trails behind them as if they’ve moved on their own. This fascinating phenomenon of what are called “sailing stones” is explained by thin sheets of melting ice and powerful winter winds, though that makes it no less mysterious to me. I […]
I have over 400,000 photographs on my hard drives. Of those, only 2,000 images have been compelling enough over the years to consider them final photographs or “keepers.” I suspect I’d have even fewer if I went through them all now. That’s a so-called keeper rate of 0.5% or less. After almost 40 years behind a camera, only half of one percent of the images I make become something I’m proud of, something that feels like it does what I wanted it to, something […]
Lying in a mud hole, looking up at a white rhino snuffling just inches from my camera, I was having a tough time not giggling or wetting my pants. I might have been a little nervous, but mostly, it was the thrill and the absurdity of it. To be this close to a massive rhinoceros with no remote gear—just me and my camera—was a dream. No guidance counsellor in any high school anywhere would have suggested this as a viable career […]
Among wildlife photographers, it is the long lens that gets all the glory. The bigger the glass, the more serious one is assumed to be about one’s craft. Less a tool than a symbol, sometimes, the bigger telephoto lenses telegraph to the world that we mean business. How I envied those photographers as a younger man, how incredible I imagined their photographs would be. And how disappointed I was when I could finally afford my first big lens, a used […]
My Land Rover pulled up just in time to watch the lions finish their meal. What remained had once been…what? A zebra? It’s sometimes hard to tell. Whatever it was, it’s mostly gone now. “We’re too late,” I hear someone say. “Nothing to see here.” Maybe it was the voice in my head. But hang on a moment. In the world of wildlife photography (which this article is not about, so keep reading if you’re into other things), I think […]
The notes below are specific to Kenya but having done safaris in Zimbabwe and South Africa as well, most of these suggestions apply just as well to other places. I’ve been asked over the years, both by my safari clients and others, what and how to pack for a trip like this, so it felt like this might be a good time to explore that for those who are curious. If you and I were sitting down over a glass of wine […]
I have a confession: I only know what 5% of the buttons, dials, and menu items on my camera do. I haven’t done the math; I’m guessing it could be even less than that. But I know that my first cameras only had the ability to focus, select the aperture, change the shutter speed, and specify the ISO. The menu options on my Sony a1 bodies feel almost infinite—it would be overwhelming if I felt I needed them all. But I […]
There’s a curse among photographers, if you believe in such things (curses, that is, not photographers), and it’s this: Sometimes what we do not see can blind us to what is in front of us. Go somewhere with a certain kind of photograph in mind and you might look so hard for that kind of image that you never see what’s actually there. Our expectations can be our biggest blind spots. I went to Zimbabwe and South Africa last month […]
My cousin James had a reputation as a kid for taking things apart. One Christmas he dismantled down to the wiring every gift he was given. Remote-control cars? Give him 20 minutes, and there would be nothing left but a pile of tiny screws, little motors, and the tears of his mother who probably should have known better than to give him such an expensive present. But the extraordinary thing is, he learned to put them back together again, and it didn’t […]
A couple of weeks ago, I was sitting on a river, happily photographing grizzly bears. After a two-day drive and a quick turnaround at home, I was off to San Francisco to sign 1,000 copies of the hardcover special edition of my new book, Light, Space, & Time: Essays on Camera Craft and Creativity. I also spent time with my publisher and my editor, much of it dreading the inevitable question: “So? What’s the next book?” I just finished this one; can we […]