Tag:the craft
Some of my earliest lessons in this craft served me very well—at the beginning. As I’ve grown, they have stopped being helpful. I suspect this is true for you, too. I was told to put the sun behind me. I was told to fill the frame with my subject. I was told that if I divided the frame into thirds and put the subject on one of those magical lines, then my photographs would be more interesting. For a while, […]
Some of my most frequent advice is to shoot through a scene. As a younger photographer, I would give up too easily and put the camera down too quickly when my efforts weren’t met with immediate success. “It’s not working,” I would say, when the truth was closer to “I’m not working.” I wasn’t giving the scene the time and effort it almost always needs to be coaxed away from the obvious. Or worse, I’d get what I thought was “the […]
I’ve got a question for you. Do you know how your photographs work? Not your cameras, you know how to focus and expose and use enough of the other buttons that you can mostly make it do what you want, but do you know how your images work? A still image is a lot of moving parts (metaphorically speaking). Sure you need to focus on your subject, but how much focus do you want? I mean, do you want just […]
Not 20 minutes after my arrival at Kutali Camp on the Zambezi River in Zambia, a large bull elephant strode through camp, walked up to the lunch table, and sampled—then summarily rejected—the cucumber salad that was due to be my lunch. Two mornings later, I woke to find him outside my tent at 4 am, walking right past the tent door (door? It was a screen with a zipper). Lying in bed, wearing neither a stitch of clothing nor the prosthetic […]
I’ve always loved high-key images for their simplicity, elegance, and power. There’s a directness to them and no confusion at all about your intended subject. The technique is relatively simple, and yet for all its advantages, it’s been a while since I’ve thought to embrace it. Going into my recent trip to Kenya, I decided to remedy that by looking for opportunities to mix up my portfolio and go high-key, and I thought that might make for an interesting Sunday morning conversation with […]
Starting has always been tough. They don’t tell you that when you buy a camera. Or the new lens you get so excited to use. “This,” we think, “is going to change everything!” Except it doesn’t. At least not yet, because you’re (to misquote Julia Roberts in Notting Hill) still just a girl standing in front of a boy asking him to love her. Except you’re just a photographer standing in front of a scene asking…”where the heck do I […]
I went to Kenya last month with the usual mix of excitement and worry. Excitement for all the normal reasons, not the least of which was being in front of wonderful things in beautiful light with my camera in my hand. Worry because I really didn’t want to come back with different versions of the same photographs I’ve made before. I had been taking some of my own advice and asking “what’s missing from my images?” and I had come […]
This post is accompanied by some of the work I shot over the last 4 weeks in Kenya. What a trip it’s been. I hope you enjoy the images! My grand-dad was a Scout. At the time he was the highest decorated man in the scouting movement in the UK, a movement whose motto is “Be Prepared.” I like to think some of that desire to be ready for the unexpected has come down to me in my DNA, though […]
I was about to photograph a beautiful family of cheetah in gorgeous morning light when my camera returned an error message and wouldn’t—no matter what I did—focus. It wouldn’t even fire. By the time I got my lens swapped onto another body, the action was all over, and I was down a camera at the beginning of a month-long trip. Or was I? Back at camp, I discovered the problem: the flange on the camera, the one to which my lenses […]
Two weeks ago, I suggested you stop asking if your photographs are good and that you not concern yourself with whether they are or are not art. I advocated a more playful approach guided by what you love and what brings you joy. I argued that the growth in your craft could be channelled by that love because the more you love doing something, the more you do it, and the more you learn. Or so I believe. But that doesn’t remove the […]