Tag:thoughts & theory
My work in Kenya didn’t go as planned. Story of my life, right? But I’m not referring to the fact that my first two days in Kenya were spent in bed in a tent in the bush, with an IV fluid and antibiotic drip, trying to get a fever down. I’m not referring to the fact that unseasonable rains changed everything, including the presence (scarce!) of animals that we were there to photograph. I don’t even mean the fact that one […]
One of the happy perils of posting your work online is the very real possibility of criticism. I suppose posting it anywhere exposes you, but the internet gives people both a microphone and anonymity. Things get said online that would never be said in person to another soul. The internet, especially social media, emboldens us. But it’s not only the internet. Once a week, I hear from someone who attended a workshop or a camera club meeting, who got beaten down […]
In two days, I pack the truck and head north up Vancouver Island to meet my wolf guide, Tom, before spending two weeks camped on a remote island, waiting for coastal wolves to wander in front of my cameras. 🤞 Maybe some otters, bears, or eagles, too. I can’t wait. Packing for a trip is always a mix of excitement and indecision. When I go to Kenya, I’m on autopilot; I know the gear and how to pack it. I’ve got packing […]
This one is a longer one, but I think it’s worth it. Put the coffee on, find a place to settle in. And then scroll to the bottom to see some images from my recent wolf expedition A month ago, I found myself in a tuxedo, eating ants and mealworms (but not the scorpions, grubs, or tarantulas also on offer) at the 120th Explorer’s Club Annual Dinner in New York City. It turns out the insects were not the most challenging […]
What I’m about to show you is my favourite discovery of the year in terms of my workflow. I tend to do a lot of the same kinds of adjustments to similar photographs, especially when creating a body of work. I might globally add some exposure and contrast, tweak some colours, and then apply a mask to my main subject and make a few teaks there to draw the eye more effectively. Now I can do a lot of that […]
I love the masking tool in Lightroom Classic and it has seen some changes over the last few iterations, some of them pretty significant. I was asked recently about this and it seemed like something you might be interested in if you’re a Lightroom user. If you do any dodging and burning at all, the new AI functions are game changers, and they’re super easy. In fact, they’re so easy it might convince some of you to do a little […]
There is a powerful argument to be made for photographing what intrigues you, what you love, or that by which you are obsessed. Making photographs takes time, so that curiosity, love, or obsession serves you well when your best work demands not fractions of a second or even minutes, but hours, days, or—in the case of longer projects—even years. Bears have become a growing obsession for me. I don’t know where it comes from or what part of me these bears touch […]
I was young when I first heard some version of this advice: don’t shoot what it looks like; shoot what it feels like. That resonated with me then, and it still does, but I feel like my entire photographic journey has been spent trying to figure out what it practically means in a way that translates to my photographs. “Shoot what it feels like” is great advice, but it’s low on any real actionable kind of next steps. It leaves me asking how? […]
Landing in Nairobi last month, my usual fears were running amok. Would my luggage arrive with me? Would I have problems at customs? Would the bartender at the first camp be able to make me a decent Old Fashioned, of which I was desperately in need? You know the ones. But most heavy of all, the one weighing me down after so many safaris that I’ve now lost count, was this: would the work—the photographs—be good? Or would I just […]