Tag:photographically speaking

Small in Frame, Big in Story

Some of my earliest lessons in this craft served me very well—at the beginning. As I’ve grown, they have stopped being helpful. I suspect this is true for you, too. I was told to put the sun behind me. I was told to fill the frame with my subject. I was told that if I divided the frame into thirds and put the subject on one of those magical lines, then my photographs would be more interesting. For a while, […]

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What Makes Your Images Work?

I’ve got a question for you. Do you know how your photographs work? Not your cameras, you know how to focus and expose and use enough of the other buttons that you can mostly make it do what you want, but do you know how your images work? A still image is a lot of moving parts (metaphorically speaking). Sure you need to focus on your subject, but how much focus do you want? I mean, do you want just […]

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Find the Contrast, Find the Interest

It takes a while to learn to use your camera like a photographer for whom the camera feels natural in the hands, to move your fingers across the buttons almost unthinkingly, with intent and purpose. It takes even longer to think like a photographer for whom thoughts about composition and the look and feel of the image come in a way that feels intuitive. Photographers seem more excited to lean into the former than into the latter, which is unfortunate if […]

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What Makes the Image Work?

My cousin James had a reputation as a kid for taking things apart. One Christmas he dismantled down to the wiring every gift he was given. Remote-control cars? Give him 20 minutes, and there would be nothing left but a pile of tiny screws, little motors, and the tears of his mother who probably should have known better than to give him such an expensive present. But the extraordinary thing is, he learned to put them back together again, and it didn’t […]

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Show Me Less to Show Me More

As a photographer who learned his craft before autofocus became a truly reliable technology, my earliest challenge was focusing the lens. Those who picked up photography after the cameras could focus faster than we would ever be able to do ourselves won’t know the frustration of that particular learning curve. But focusing the lens was never so hard as learning to focus the attention of those who might read my photographs. No camera in the world can do that on […]

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Masking In Lightroom, An Introduction

I love the masking tool in Lightroom Classic and it has seen some changes over the last few iterations, some of them pretty significant. I was asked recently about this and it seemed like something you might be interested in if you’re a Lightroom user. If you do any dodging and burning at all, the new AI functions are game changers, and they’re super easy. In fact, they’re so easy it might convince some of you to do a little […]

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Want Different Results? Try Different Things.

Landing in Nairobi last month, my usual fears were running amok. Would my luggage arrive with me? Would I have problems at customs? Would the bartender at the first camp be able to make me a decent Old Fashioned, of which I was desperately in need? You know the ones. But most heavy of all, the one weighing me down after so many safaris that I’ve now lost count, was this: would the work—the photographs—be good? Or would I just […]

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